Preview Upcoming Exhibits

Shown Sept. 12 - Oct. 30, 2009
Jim Keffer and Linda G. Lugenbill

Linda G. Lugenbill's Artist Statement

“FRAMING THE FORMS”
2009

The traditions of basketmaking provided me with the technical skills and understanding to create functional baskets. Over the past 25 years my basketry interests have been driven by my search for common materials that I can utilize in extraordinary ways. Each provided the uniqueness I desired to create one of a kind and asymmetrical pieces. Often raw instinct guided me in determining the best way to utilize a particular material.

As I analyzed what I create and how I create, I came to recognize that I “build” baskets. My answers lie in the rules of simple construction. First I create a frame, using whatever elements I wish to highlight. A form evolves as a variety of weaving techniques and materials fill in that frame. My hands manipulating the materials and the structure result in an unexpected, and often, asymmetrical form that has become the signature of my efforts. Each distinctive frame which I initially build provides the foundation for the evolution of my artistic visions.

My basketmaking has taken on new forms.

See more of Linda Lugenbill's art.

My paintings are like life.

Starting with a blank canvas, I add an overall coat of acrylic color – almost always red – creating a bright undercoat. This is like the sun coming up chasing away the darkness.

I make a rough sketch creating shapes and places where paint is added later.
This is like making a plan for the day.

I start filling in the rough sketch with new colors – often creating new shapes and new ideas. 
More underpainting, no finish work yet. 
This is like one’s work day: setting to work, fulfilling the plan and adjusting to the new day’s needs.

The painting begins to take on a life of its own.  I am not totally in control.
It has become a partnership between the painting and I.
This is like a day wherein one attends to one’s own needs and wants while attending to other’s needs and wants as well.

I add the final colors.
Layer upon layer of paint - early layers sometimes completely obscured.
The painting is finished.
This is like the end of the day when one’s work is finished. 
For better or for worse.
One learns.

I now have an idea for my next painting. 
Another blank canvas is stretched. 
This is like the sun appearing on the horizon lighting up a new day.
A new plan, the day’s work begins.

This I call rhythms.
There is only one way.

See more of Jim Keffer's art.